A late afternoon storm came by while we were out in the marshes. Heavy rains had already passed by. Now the weather had moved away.
All 3 images are from the same relative spot, I just walked further down the berm for a different angle.
I didn’t stay out there long but no lightning was around, just wind and far off thunder.
As expected, every time we looked specifically for this bird…nothing. Not entirely true, several times we heard it and ‘maybe’ saw a flash of color.
Here I was hurrying to find a better vantage point to shoot some Wood Storks. I caught the colors by accident.
The male was alone and striping seeds from inside the grasses along the edge of the trail.
Since I was standing out in the open there was no option to get closer or more light. I followed rule # 1…get the shot.
Maybe a dozen quick shots and he was gone. Still this is more than I have had before.
The photographs of the Alligator gathering still fascinate me. Better yet, I haven’t even looked at the second set taken from a different location.
Black and white film is perfect for this type of raw image. Having given up film a long time ago I use digital filters that look the same as many of the traditional film ASA and manufacturers.
This image is a standard Kodak 400. About as basic B&W and there is. I plan on creating an article using various B&W films as an example of the digital options available.
The ‘trunk’, or flood gates, were opened to allow this section of a marsh to drain and clean out grasses. Of course it was also an opportunity to go fishing while the water rushed out.
It was very simple to stand on top of the dike and have the water drain underneath our feet. Directly below us was a congregation of Alligators like never before. Â No long lens here, only portrait or wide angle since it was so close.
The photograph above was taken at 50 mm, the same as with the naked eye. About 25 adults are in this image, the ones straight down were out of view.
The local wading birds were not about to be left out either.
Amazing but not a single Alligator went after another, a few scuffles, nothing else. More so was the birds. They poked around just barely out of reach. A few Alligators snapped, but not even trying really.
Anything in the streams on water was fair game though.
I did go to another vantage point with a long lens later on. All these images were shot between 35 – 70 mm. Basically at portrait length.
A passing shot, but one not to be missed.
Terrible light, I think that was the plan.
I made a comment to a friend that an Alligator didn’t bother me until ‘I can hear them breath’. Well, guess what…
Loud and clear.
I think he was convinced there was a female on the other side of this cypress grove. He was doing that deep bellow, groan sound that can really get your attention.
Only the big guys can make really make this sound, and once you have heard it you can’t forget it.
Its construction began in 1772 when the Society of Dissenters (now known as the Circular Congregational Church) needed more space than its Meeting Street location could provide. It was nearly complete in 1776 when the Revolutionary War began, finally being repaired and officially dedicated in 1787.
During the past several years we photographed the interiors, focusing on lighting from stained glass, of multiple cathedrals and historic churches. So when given the chance to just walk in and shoot we jumped at it.
The fan vaulted ceiling (see above) is rare and considered one the best built.
Since this wasn’t a planned shoot we could not really ask them to turn all the lights off. A little pushy, so we went with what we had.
Click an image below to view the gallery.
