Category Archives: Shooting A Grand Old House

Grand House, Back Buildings

Most of the old homes in Charleston don’t have much land. Like modern cities the house took up most of the space, a small garden was all there was room for.

This home, the Aiken-Rhett house, has land, and several large back building to explore. There were stables, servant / slave quarters, kitchens, laundry, even work shops.

Grand House, Back Buildings
Grand House, Back Buildings

Unless it’s obvious I don’t know details on the various rooms. My attention is on what and how to photograph these places.

Grand House, Back Buildings
Grand House, Back Buildings

When this house was built having land, buildings, servants of this size meant enormous wealth. Just as amazing is the fact it survived the Civil War. It was looted at least once, but there is still much of the original buildings intact.

Grand House, Back Buildings
Grand House, Back Buildings

The insides of the structures have the original plaster, handmade bricks, and woodwork.

Grand House, Back Buildings
Grand House, Back Buildings
Grand House, Back Buildings
Grand House, Back Buildings

I always view this type of building from a black and white perspective. While some images are published in color for me this is old school work.

Each photograph here was ultimately finished using methods to emulate specific 35 mm photograph film. Most are Ilford film since that’s what I am most familiar with. Adobe Lightroom, Faststone, and DxO Silver Efex are the image software used.

Magnolia Plantation House

One of the oldest plantations in the South, and listed on the National Register of Historic Places. The plantation itself dates to 1676, one hundred years before the US Revolutionary War.

Currently there are still 500 acres for the plantation. The original gardens were photographed by Mathew Brady, who would later become famous for his photographs of the American Civil War. John James Audubon (the iconic Great Egret painting), for whom Magnolia’s Audubon Swamp Garden is named studied here.

The plantation house was burned during the Civil War by Union troops, as were most of the plantations along the Ashley river. The Ashley river plantations were a primary contributor to Charleston being the wealthiest US city prior to the Civil War.

Magnolia Plantation House
Magnolia Plantation House

Obviously this is not the ‘Gone With The Wind’ style building people expect from large southern plantations.

The majority of buildings were burned and either restored or rebuilt.

Truth is, even the remaining buildings are not what Hollywood presented to us. I know of only one, and in a twist of life, the back of the plantation was rebuilt to be the front, after the war, and does look like we expect. It was all done to impress the neighbors.

 

 

No, Not Doors, Charleston

Looking at this I really had to wonder why doors were 1/2 story up from the street.

No, Not Doors, Charleston
No, Not Doors, Charleston

Above is street level, with a Palm Tree for perspective.

Then I remembered, but while inside double checked to be sure. It seems these are tall shutters. The windows in the old homes, the main salon, were very tall.

No, Not Doors, Charleston
No, Not Doors, Charleston

Above is from the back court yard, same floor, another set of large windows and shutters.

Charleston is hot, and on the ocean.

The large windows, and shutters, allow for a cross ventilation when they are open. You can see there are bigger than the doors  opening to the back.

Love these old buildings.

Circa 1820, Sepia

Not much has changed in this room for a very long time. It is being preserved as it is.

Circa 1820, Sepia
Circa 1820, Sepia

William Aiken, the owner of this house, was a Unionist and did not support secession. However, like most Southerners, after Fort Sumter he supported the Confederacy, tying the fate of his family to Confederate fortunes. During the bombardment of Charleston, many of the grand houses were pounded into rubble, but this house escaped due to its placement further up Charleston’s slender peninsula. However, when Charleston fell to Union forces in 1865 the house was looted and Aiken arrested and taken to Washington for trial. He was later released due to the intervention of northern politicians he’d made friends with during his political heyday. (SCIWAY).

1820, A Charleston Grand House

This house was built by Charleston merchant John Robinson who, with the fickleness of early nineteenth century fortunes, lost it soon afterwards. Several trading ships he owned were lost at sea. The house was sold to cover his debts though he was not legally responsible.

1820, A Charleston Grand House
1820, A Charleston Grand House

During the bombardment of Charleston, many of the grand houses were pounded into rubble, but this house escaped due to its placement further up Charleston’s slender peninsula. However, when Charleston fell to Union forces in 1865 the house was looted and William Aiken arrested and taken to Washington for trial. He was later released due to the intervention of northern politicians he’d made friends with during his political heyday.

1820, A Charleston Grand House
1820, A Charleston Grand House

Unlike many of the old houses here there was a large parcel of property. Behind the main house there are stables and quarters for a large number of enslaved people.

1820, A Charleston Grand House
1820, A Charleston Grand House

Prior to the US Civil War William Aiken was not only a wealthy planter/merchant he was also the states governor.

Though their house had been looted, abused, and most of its valuables stolen, the Aiken family managed not to lose their home to federal taxes like so many did. They hung on and stayed on, as did most of the old families in Charleston. Too poor to paint and too proud to whitewash, as the saying goes. In the Aiken’s case, this meant wallpaper peeled, and carpets grew threadbare. It meant fabrics and plaster began to disintegrate, and in some places dry rot set in. With little money for wood or coal to heat large spaces, grand rooms were shut up entirely. It meant multiple generations lived together, paying expenses as best they could.  Their descendants occupied it until 1975.

Note; much of the information above was provided by the South Carolina Picture Project.

1820, Lighting The Stairs

For me a house and location like this is best done in any B&W or monochrome style.

This house was grand in it’s day. It still is, but time has taken it’s toll. Ownership remained the same after the US Civil War, however the wealth was gone. The building slowly decayed, and the Hurricanes hitting the Charleston peninsula did not help. Today the home is maintained to conserve the house as it is now. Damage and all.

This has a little more contrast than my usual the light needed it.

1820, Lighting The Stairs
1820, Lighting The Stairs

I don’t think converting the lamp to electricity hurt the beauty at all.